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Page 8: Photograph by Norman Parkinson.
Page 20: Photographs, top, left to right, by Star Black, Deanne Fitzmaurice, Herb Ritts; center, by Ted Thai/ Time magazine, Robert Mapplethorpe, Brigitte Lacombe; bottom, by Adam Bartos, courtesy of Michael Shnayerson, by Jerry Bauer.
Page 26: Photograph from Phototeque.
Page 34: Photograph from Sygma.
Page 50: Photograph from Sygma.
Page 70: Photographs, top left, from Black Star; bottom left, from Outline.
Page 72: Photograph ® 1928 (renewed 1956) by the Conde Nast Publications Inc.
Page 76: Hair and makeup by J. Roy Helland. Cashmere turtleneck, Paul Stuart, N.Y.C.
Page 79: Hair by Julien; makeup by Frangois Jover. Page 80: Tank top and "second skins," Betsey Johnson, N.Y.C. and Los Angeles. Shoes, Manolo Blahnik, N.Y.C. Motorcycle courtesy of Buck Lewis. Styled by Lori Goldstein.
Page 81: Hair by Earl Jones; grooming by Robyn Lynch.
Page 83: Makeup by Jody Morlock.
Page 84: Dress by Douglas Ferguson. Backdrop by Whiting and Davis Company.
Page 89: Fringed western shirt by Kansai Yamamoto. Fringed gloves by Sachiko for LaCrasia. Silver collar tips, leather belt with Texas buckle, and string tie with pewter gun-and-holster slide, all from Billy Martin's, N.Y.C. Guns and holster from Centre for Firearms, N.Y.C. Hair by Vincent Roppatte.
Pages 92—93: Photograph from A.P./Wide World. Pages 96—97: Photograph from A.P./Wide World. Page 98: Photograph courtesy of French Vogue. Page 102: Photograph from LGI.
Page 103: Earrings, Tiffany & Co., N.Y.C.
Page 104: Bustier by OMO Norma Kamali couture, $438, from OMO, N.Y.C. Silk pumps, $365, Manolo Blahnik, N.Y.C.
Pages 105—106: Velvet gown, to order from Emanuel Ungaro couture, Paris.
Page 107: Photographs, top, left and right, from Phototeque; bottom, from the Museum of Modern Art/Film Stills Archives.
Page 108: Photograph from Columbia University, N.Y.C.
Page 110: Collage from Florine Stettheimer: A Life in Art, by Parker Tyler, published by Farrar, Straus and Gi-
Page 124: Photographs, left, by Brodrick Haldane/ Camera Press; right, from Topham.
Page 137: Photographs, top, makeup by Cynthia Cruz; bottom, from Contact Press Images.
Page 138: Photographs, top, from Archive; bottom left, from the Museum of Modern Art/Film Stills Archive. Page 140: Photographs, top, makeup by Roxanna Floyd; bottom, courtesy of William Burroughs.
Page 142: Photographs, bottom left, courtesy of the headmaster, Portora Royal School, used by permission of Black Cat Press and Faber and Faber; right, top to bottom, by Nancy Campbell, from A.P./Wide World, by Tannenbaum/Sygma.
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