Credits

CREDITS

May 2001
Credits
CREDITS
May 2001

CREDITS

FASHION

Cover: For Jennifer Aniston's Harry Winston jewelry, call 1-800-988-4110. Page 24: Versace Atelier trench coat by request at Versace boutiques worldwide Page 82: Helen Schulman styled by Mia Morgan; jacket by Giorgio Armani, from Giorgio Armani stores nationwide. Page 92: Christopher Hitchens's Brooks Brothers shirt from Brooks Brothers stores nationwide; Jack Spade mackintosh from Jack Spade, NYC. Page 100: Jon Stewart's Yohji Yamamoto shirt from Yohji Yamamoto, NYC.; Paul Smith shoes from Paul Smith, NYC. Page 106: John Smedley for the British Apparel Collection shirt from Bergdorf Goodman, NYC. Page 151: Jake Gyllenhaal's Rojas T-shirt from the X Boutique, LA; Levi's reproduction vintage jeans from American Rag Cie, LA; vintage belt from the Wasteland, LA; Danny Flynn for Cloutier. Page 152: Yael and Esther Tavor styled by Sarah Parlow for Mark Edward, Inc. Page 154: The Rock styled by Laura Duncan for Factory Artists; T-shirt by Calvin Klein, from Macy's, LA; pants by Giorgio Amani, from Giorgio Armani, Beverly Hills; belt by Kenneth Cole, from Macy's, LA; sunglasses by Ojo, from Cynthia Benjamin, LA. Pages 162—63: Jennifer Aniston's Versace dress from Versace boutiques worldwide; for Harry Winston pendant and ring, call 1-800-988-4110. Page 164: Chanel bodysuit from Chanel boutiques nationwide; Manolo Blahnik shoes from Manolo Blahnik, NYC.; for Harry Winston bracelet, call I-800-988-4110. Page 195: Kate Beckinsale's Donna Karan dress from Neiman Marcus stores nationwide.

BEAUTY AND GROOMING

Cover: Serge Normant and Scott Andrew for Jed Root; Lisa Jachno for Cloutier/L'Oreal Paris. Page 82: Helen Schulman's hair and makeup by Asumpta Clohessy for Susan Price, Inc. Page 92: Christopher Hitchens's grooming by Barbara Zatcoff for T.H.E. Artist Agency. Page 100: Jon Stewart's grooming by Losi for the Wall Group Page 116: Robert Hager's grooming by Lori Celedonia for T.H.E. Artist Agency. Page 151: Jake Gyllenhaal's grooming by Brad Bowman for Celestine. Page 152: Yael and Esther Tavor's hair and makeup by Kristine Oulman for R. J. Bennett. Page 154: The Rock's nr by Neeko, grooming by Mylah Morales, both for Karlee Artists. Pages 162 67: e credits for covei Page 179: Fabien Baron's and Malin Ericson's hair, makeup, and grooming by Katarina Hakansson for the Agency, Page 195: Campbell McAuley for Profile, LA; Matthew VanLeeuwen for Artists by Timothy Priano; Lisa Jachno for Cloutier/L'Oreal Paris. Page 230: George Carlin's grooming by Fernando Navarro.

PHOTOGRAPHS AND MISCELLANY

Cover: Production by Brian Howard and Lisa Grezo for Brian Howard for Productions. Page 64: Inset by Fourlegs Photography. Page 78: From Hulton Deutch/Corbis (top and May Queen); from Archive Photos/PidureQuest (May 4 and 12); from Corbis Bettmann (6); by Imre Foldi/Sovfoto/Eastfoto/PidureQuest (9); Kurt Krieger/Corbis (15, left); courtesy of the Polynesian Cultural Center (15, right); from Corbis Bettmann (18); from PhotoDisc/PidureQuest (21); by J. Howard/ Stock Boston/PidureQuest (22); Joe Sohm/ Chromosohm/Stock Connedion/PidureQuest (24); from Corbis Images/PidureQuest (25); by Lambert/ Achive Photos/PidureQuest (28); Keith Brofsky/ PhotoDisc/PidureQuest (30); courtesy of the National Gallery of Art, Washington, Alfred Steiglitz Colledion, Bequest of Georgia O'Keeffe (bottom right). Page 80: Clockwise from top right, by Andrew Cooper/SMPSP/Touchstone Pictures/Jerry Bruckheimer, courtesy of DreamWorks L.L.C., by Robert DiScalfani/Photonica, Alex Bailey/Miramax, Alex Bailey/MiramaPage 84: Bottom left, from Outline. Page 86: By Sandrine Dulermo (David), Steve Granitz/Retna (Destiny's Child), Richard Mitchell/Retna (DiFranco). Page 90: By Paul Hutley/Eye Ubiquitous/Corbis (bus), from Powerstock-ZEFA/Index Stock Imagery (Underground sigr Page 94: Top left, © 1986 by the Delta Haze Corporation; top and bottom right, from U.S.P.S./The American Philatelic Society; bottom left, from TimePix. Page 98: From Reuters/Archive Photos. Page 104: Left, from ClassMates.Com Yearbook Archives; center, from London Features It Page III: From Popperfoto. Page 112: Clockwise from top left, courtesy of Felix Dennis; from Popperfoto; from Camera Press/Retna; from the John Frost Historical Newspaper Servict Page 122: Large photograph from Magnum Photos; inset from the Lester Glassner Collection/Neal Peters. Page 124: From the Lester Glassner Collection/Neal Peters. Page 126: 'om Photofe ' Page 128: Large photograph from TimePix; inset from Magnum Photos. Pages 137 and 140: Both from TimePix. Page 148: From Graphics House/Museum of the City of New York Theater Collection. Page 151: Corbin Sparrow car from Ecarmotors.com and the Sharper Image, Beverly Hills. Page 152: Right, bottom, by Gigi Gaston; second from bottom, by Tony Esparza. Page 160: Left, clockwise from top left, by Colin Braley/Reuters/TimePix, Spencer Platt/Liaison Agency, Todd Warshaw/Allsport, from Corbis Images/PictureQuest, from CBS.com, by Hal Beral/Photo Network/PictureQuest, courtesy of Reebok, from ElektraVision AG/PictureQuest, by Nicholas Devore Ill/Photographers/Aspen/ PictureQuest, Mark Wilson/Reuters NewMedia Inc./Corbis, Patrick McMullan, Cheyenne Rouse/ Photo 20-20/PictureQuest; right, courtesy of Motorola. Pages 168—69: From Swiss Photo News/Sipa Pi Page 170: p, by Peter Marlow/Magnum Photos; bottom, by Steinegger/ W.E.F./Sipa. Page 171: Top to bottom, by Juergen Staiger/Keystone, Michele Limina/Pool/Keystone, Ady Mettler/Swiss-image.ch. Pages 172—73: From Reuters/Archive Photos. Pages 174 75: urtesy of the Tate Britain Pages 184-85:0 by the Conde Nast Publications Inc. Page 188: Left, courtesy of Mitch Blank Archives. Page 189: Courtesy of Deborah Bell. Pages 190—91: Top left, from Archive Photos; top center, courtesy of Deborah Bell; center right, courtesy of Mitch Blank Archives; bottom, second from left, from the Izzy Young/Folklore Center Archive. Pagee 195: Production by Stardust Visions. Page 197: Insets, top, from Olympia/Publifoto; center, from Globe Photos. Page 198: Second from top, from Globe Photos; second from bottom, from TimePh Page 199: From TimePix. Page 200: From the Hulton Archive/Liaison Agency. Pag* 201: Center left, from TimePix; bottom, from Olympia/ Publifoto. Pag* 204: Large photograph from Olympia/Publifot' Page 206: Center right, from Corbis Bettmann. Page 208: Inset from Globe Photos Page 211: op left and center right, from Corbis Bettmann; others from the Hulton Archive/Liaison Agency. Pag* 215: From the Liaison Agency Page 223: From Swiss-image.ch. Pag* 228: Clockwise from top left, from Corbis Bettmann, by Tannen Maury/AFP Photo, Rufus F. Folkks/Corbis, from Reuters NewMedia Inc./Corbis, by Otto Gruele Jr./Allsport, Stan Honda/AFP Photo, Philip Gould/Corbis, from Culver Pictures, by Arthur Rothstein/Corbis, Mitchell Gerber/Corbis, Magnus Sundholm/ Liaison Agency, Kevork Djansezian/AP Photo.

EDITOR'S NOTE:

On pages 356-57 of the April issue, the production was by Fred Torres for Lucid Shoot, LA.