CREDITS

Fashion

Cover: Annette Bening's Marc Jacobs sweater from Marc Jacobs, Warren Beatty's Helmut Lang turtleneck from Helmut Lang, both in N.Y.C. L'Wren Scott for Vernon Jolly Inc.

Page 40: Bottom, see credits for pages 1 14-15. Page 50: Bryan Burrough styled by Kathryn MacLeod.

Page 103: Molly Parker's Alexander McQueen overcoat from Traffic, LA; Lisa Marie Fernandez for Chris Boals Artists.

Pages 114-15: Annette Bening's Donna Karan sweater from Donna Karan; Helmut Lang pants from Helmut Lang. Warren Beatty's Dolce & Gabbana sweater from Dolce & Gabbana; Costume National pants from Costume National. All stores are in N.Y.C.

Page 116: Bening's Marc Jacobs sweater from Marc Jacobs, Beatty's Helmut Lang turtleneck from Helmut Lang, both in N.Y.C.

Page 119: Bening's sweater by Donna Karan, from Donna Karan, N.Y.C.; Beatty's sweater by Dolce & Gabbana, from Dolce & Gabbana, N.Y.C.

Page 120: Clive Davis's Ermenegildo Zegna jacket, sweater, and pants from Ermenegildo Zegna, N.Y.C.

Beauty and Grooming

Cover: Peter Savic and Carol Shaw for Cloutier; Cecily Carrington for Beauty & Photo.

Page 46: James Fox's grooming by Cheryl Phelps-Gardiner for Sessions.

Page 50: Gregory Mastrianni's grooming by Helene Macaulay, Bryan Burrough's grooming by Gigi Hale, both for Artists.

Page 103: Renato Campora for Aveda; Lena Koro for Nars.

Page 104: Paco Rabanne's grooming by Kenny Campbell for Xavier Pelas.

Page 120: Clive Davis's grooming by Sarra 'Na for Garren New York.

Pages 140-47: Sara Johnson for Sarah Laird.

Photographs and Miscellany

Page 26: Detail of Tom Movie Poster, 1930, from the Metropolitan Museum of Art, Ford Motor Company Collection, Gift of the Ford Motor Company and John C. Waddell, 1987.

Page 46: Center, from James Fox's family archives.

Page 52: From the Requiem Project Inc.

Page 62: All from Photofest.

Page 64: Top and center, from Photofest. Page 66: From HBO.

Page 70: Inset from Magnum.

Page 74: Painting from Artephot/Artothek/ Hans Hinz/ARS; inset, left, from Sygma; other insets from the Liaison Agency.

Page 80: From the Liaison Agency.

Page 82: From Corbis.

Page 84: Top, from A.P./Wide World Photos; newspapers from the John Frost Historical Newspaper Service.

Page 86: Bottom, from Sygma; others from Alpha. Page 88: From Alpha.

Page 90: Top and second from top, from the Press Association/Topham; others from Alpha. Page 92: Newspapers from the John Frost Historical Newspaper Service; bottom, from Alpha.

Pages 96 and 100: From Alpha.

Page 103: Production by Geoff Teoli.

Page 106: All photographs by Fourlegs Photography.

Page 108: Bottom, second from left, by Jonathan Torgovnik/Corbis Sygma; second from right, by Gregory Pace/Corbis Sygma.

Page 112: By Berenholtz/The Stock Market (Statue of Liberty), Jonathan Elderfield/The Liaison Agency (Hillary Clinton), Steve Elmore/The Stock Market (doorman), Ken Fisher/Tony Stone (grill), Fourlegs Photography (tag), Mitch Gerber/Corbis (Geffen, Hamilton), Mike Howell/ Leo De Wys, Inc. (cable car), JG/The Liaison Agency (Steel), Donald C. Johnson/The Stock Market (Space Needle), Kelly Jordan/Ron Galella Ltd. (DiCaprio, Giuliani in cap), Michael A. Keller/The Stock Market (poker chips), David Kelley (Banana Republic label, Crunch sign, St. John's Wort, Variety], V. Malafronte/Celebrity Photo (Murdoch), Patrick McMullan (Trump), Ben Nakayama/Leo De Wys, Inc. (street signs), from Ron Galella Ltd. (Bill Clinton, Ditka, Hiaasen), by Liso Rose/Globe Photos (Lynch), Alan Schein/ The Stock Market (Miami Beach sign, Sears Tower), Joe Sohm/Mary Jo Reutter/The Stock Market (Capitol), Mirek Towski/DMI (Tyler), Eileen Travell (Pastis), Jean-Marc Truchet/Tony Stone Images (gnome), Walter Weissman/ Globe Photos (hatless Giuliani).

Page 122: Clockwise from top left, by Chuck Pulin/Star File, Colin Escott/Michael Ochs Archives, Stephen Paley/Michael Ochs Archives. Page 123: Clockwise from top left, by Gerardo Somoza/Outline, David Gahr, Chuck Krall/ Michael Ochs Archives.

Pages 124-25: Large photograph from Star File.

Pages 133—37: All from the Metropolitan Museum of Art; © by the Walker Evans Archive. Page 138: Bottom right, by Lee Friedlander, from the Metropolitan Museum of Art. All others from the Metropolitan Museum of Art; © by the Walker Evans Archive.

Pages 148-49: Both from James Fox's family archives.

Pages 150-51: Painting from National Trust/ Art Resource, N Y. Insets: top, from Corbis/ Bettmann; bottom, both from James Fox's family archives.

Pages 152-53: Large photograph and inset, right, from James Fox's family archives; inset, top, from Corbis/Bettmann; inset, center, from Brown Brothers.

Pages 154-55: Large photograph from Topham Picturepoint/The Image Works; inset © by Hulton Getty/The Liaison Agency.

Pages 156-59: All from James Fox's family archives.

Page 179: From CPI.

Page 183: From the Metropolitan Museum of Art; © by the Walker Evans Archive.

Page 184: Clockwise from top left, by Bob Gruen/Star File, Sonia Moskowitz/Globe Photos, Lisa Rose/Globe Photos, from U.P.I./Corbis/ Bettmann, by Gregory Pace/Sygma, Moe Doiron/Sygma, from Globe Photos, by Alec Michael/Globe Photos, Henry McGee/Globe Photos, Kelly Jordan/Globe Photos, Tom Rodriguez/Globe Photos, Lisa Rose/Globe Photos. Page 186: Courtesy of Kathryn Schenker Associates.