CREDITS

FASHION

Page 145: Jeanne Yang (or Cloutier.

Page 158: Top, see credit for page 145. Bottom, styled by Kim Meehan for Walter Schupfer Mgt. Corp. Mary Louise Wilson's vintage gown from Honeymoon, NY.C.; mini-bolero by J. Mendel, from the J. Mendel Boutique at Bergdorf Goodman, NY.C.

Amy Ryan's gown by Shawn Ray Fons, from selected Saks Fifth Avenue stores. Jennifer Tilly's gown by Roberto Cavalli, from the Roberto Cavalli Boutique, NY.C.; belt by Jose and Marla Barrena, by special order from Neiman Marcus stores nationwide; bracelet and stole by Clive Kandel, from Bergdorf Goodman, NY.C.

Rue McClanahan's vintage gown from Early Halloween, N.Y.C.; vintage feather wrap from the Paper Bag Princess, West Hollywood, Calif.; hat by Kokin, from Saks Fifth Avenue,

NY.C.; jewelry by Clive Kandel, from Bergdorf Goodman, NY.C. Kristen Johnston's vintage dress from the Paper Bag Princess, West Hollywood, Calif.; hat by Lola, from Bergdorf Goodman, NY.C.; shoes by Christian Louboutin, from Christian Louboutin Boutique, NY.C.

Lynne Collins's dress by Dolce & Gabbana, from Mitchells, Westport, Conn.; shoes by Marc Jacobs, from Marc Jacobs, NY.C.; bracelet by Clive Kandel, from Clive Kandel, NY.C.; earrings by Chanel, from Chanel Boutiques nationwide. Lisa Emery's gown by Vera Wang, from Vera Wang Bridal Salon, NY.C. Jennifer Coolidge's stole by Michael Kors for Pologeorgis, from Saks Fifth Avenue Fur Salons nationwide; pin by Barrera, by special order from Neiman Marcus stores nationwide.

Page 162: Paul Rudd, Rachel Weisz,

Frederick Weller, and Gretchen Mol styled by Maria Serra.

Craig Bierko styled by Don Sumada.

Page 291: L'Wren Scott for the United Talent Agency.

Page 333: Mandy Moore's Louis Vuitton tank top from Louis Vuitton stores nationwide; Dolce & Gabbana jeans from Dolce & Gabbana Boutique, NY.C.; Zip Stevenson belt from Scoop, NY.C.; Desi Santiago necklaces and Maria Rudman bracelet from Barneys New York, NYC.

Pages 344—45: Paolo Zampolli's Tom Ford for Gucci suit, shirt, and shoes from Gucci stores nationwide; Hermes tie from Hermes, NY.C.; for Patek Philippe watch, go to www.patekphilippe.com; cuff links from Gioielleria Vaccari, Pavia, Italy.

Models' Tom Ford for Gucci shirts from Gucci stores nationwide; Hanky Panky underwear from Pink Slip, NY.C.

Pages 351—353: Jack Welch's Polo by Ralph Lauren shirts from selected Polo Ralph Lauren stores.

BEAUTY AND GROOMING

Page 145: Allen and Albert Hughes's

grooming by Becky Cotton.

Page 158: Top, see credit for page 145.

Bottom, Mary Louise Wilson's and Lynne Collins's hair by Heather Alexander; makeup by Jenna Anton for Garren New York. Amy Ryan's and Lisa Emery's hair by Richard Corio, makeup by Deborah Altizio, both for Garren New York. Jennifer Tilly's and Rue McClanahan's hair by Nathaniel Hawkins, makeup by Scott Patric, both for Garren New York. Kristen Johnston's and Jennifer Coolidge's hair by Steven Ward, makeup by Scott Barnes, both for Garren New York. Cynthia Nixon's hair by Cory Morris for the Wall Group; makeup by Efrat for Art Mix (The Agency). Manicures by Sophia for Garren New York.

Page 160: Jason Pierce's grooming by Shannon Wiliams for Art Mix (The Agency).

Page 162: Paul Rudd's, Rachel Weisz's, Frederick Weller's, and Gretchen Mol's hair by Joel for Naked; makeup and grooming by Niky Buckland for Suzie Babchick. Craig Bierko's grooming by Giannandrea for Garren New York. Page 291: Hayden Christensen's grooming by Terri Atanasewicz for Cloutier.

Page 296: Lars Nilsson's grooming by Pierra for Garren New York.

Page 333: Chris McMillan for Art Mix (The Agency); Ulli Schober for Celestine.

Pages 344-45: Nicolas Jurnjack for Garren New York; Brigitte Reiss-Andersen for Artists by Timothy Priano.

Page 370: Al Hirschfeld's grooming by Assumpta Clohessy for Susan Price Inc.

PHOTOGRAPHS AND MISCELLANY

Cover: U.K. production by Jo Matthews;

Rick Floyd for Magnet.

Page 104: Top, from Corbis Outline.

Page 124: Bottom, from Magnum Photos.

Page 149: From Archive Photos/PictureQuest (October 5); by Feme Saltzman/AIBF (7, balloons in sky); David E. Villegas/AIBF (7, balloons on ground); from Hulton Archive/Getty Images (9, left); by John Spelman/Retna (9, right); courtesy of MoMA/Alberto Giacometti Foundation/© by Kunsthaus Zurich/© by ARS, NY/ADAGP, Paris (II); courtesy of the Brooklyn Museum of Art (12); © by Al Hirschfeld/Courtesy of the Collection of Kristina Louise Goodstadt (13); by Armando Gallo/Retna (15); Clement Mok/PictureQuest (18); courtesy of Burn the Floor (23, left and right); by Joseph Marzullo/Retna (25); from CMCD/PhotoDisc/PictureQuest (28); courtesy of the J. Paul Getty Museum (30); from Superstock (31); courtesy of the Brooklyn Museum of Art/

H. Randolph Lever Fund (top right); from the Guggenheim Museum/© by Jeff Koons/ Courtesy of the Deutsche Bank and the Solomon R. Guggenheim Foundation (bottom right).

Page 152: Clockwise from top, courtesy of Just Blue Films; by Robert DiScalfani/Photonica; Richard Cartwright/MGM; courtesy of the Samuel Goldwyn Collection.

Page 162: Bottom, props styled by Denise Feltham.

Page 166: From Corbis Sygma.

Page 168: From Corbis.

Page 172: From Corbis Bettmann.

Page 180: Top, from A.P. Wde World Photos; bottom, from Sipa Press.

Page 190: From The Idaho Statesman/Corbis Sygma.

Page 220: From MPTV.

Page 224: Courtesy of Vogue, © 1961 (renewed 1989) by the Conde Nast Publications Inc.

Page 232: Top, from Brown Brothers. Second and third from top, courtesy of the Costume Institute at the Metropolitan Museum of Art; copy photograph by Fourlegs Photography. Bottom, courtesy of Vogue/ The Conde Nast Publications Inc. Page 236: Top, courtesy of the Costume Institute at the Metropolitan Museum of Art; copy photograph by Fourlegs Photography. Others courtesy of Vbgue/The Conde Nast Publications Inc. Page 238: From the Center for Creative Photography/Courtesy of the Costume Institute at the Metropolitan Museum of Art; copy photograph by Fourlegs Photography.

Pages 244-88: From BEI (No. 26), from Corbis Saba (14; 47, bottom), from Corbis Sygma (2; 30), from Getty Images (9; II; 12; 16; 17; 20;

21, top; 23, top; 24, bottom; 29, top and bottom; 34; 35; 37, bottom; 39; 49), from Globe Photos (3; 4; 10; 18; 27, top; 32; 38; 44, bottom; 46, bottom; 48), from Ipol (6; 36), from Matrix (25), from Retna (22), from Reuters/Corbis (5; 23, bottom), from Ron Galella Ltd. (47, top), from Sipa Press (I), from Starfile/VDL (19), from TimePix/Reuters (15; 40; 46, top; 50), from TimePix/Zuma (45, top), from Twin Images (7; 8; 13, top; 24, top; 27, bottom; 28; 31; 33, top; 41; 42; 44, top; 45, bottom; 47, second and third from top), from Zuma Press (21, bottom;

33, bottom; 37, top).

Page 291: Production by Dave Radin for Socal Productions.

Page 296: Right, clockwise from top left, by Scott Houston/Corbis Sygma, Stephen Chernin/A.P. Photo, from Archive Photos/PictureQuest, from Stockbyte/

PictureQuest, by Stephen Trupp/Celebrity Photo, from Stockbyte/PictureQuest, by F. Schussler/ PhotoLink/PhotoDisc/PictureQuest, Charles Wenzelberg/A.P. Wde World Photos, from Stockbyte/PictureQuest, by Sonia Moskowitz/Globe Photos, from Stockbyte/ PictureQuest, by Andrew McCloskey/TimePix,

Jules Frazier/PhotoDisc/PictureQuest, Joan Marcus. Bottom left, left to right, by Nitin Vadukul, Don Perdue/Steeplechase Films, Bruce Weber. Pages 300-321: U.K. production by Jo Matthews.

Pages 322-23: From A.P. Wide World Photos. Page 325: From Getty Images.

Pages 348—55: Production assistance by Susan Beaumont.

Page 368: Clockwise from top left, by Brad Rickerby/Reuters/TimePix, Walter Weissman/

Globe Photos, from Hulton Archive/Getty Images, by Sonia Moskowitz/Globe Photos, Mirek Towski/DMI/TimePix, from the Lester Glassner Collection/Neal Peters, by Dan Budnik/Woodfin Camp/TimePix, Tricia Meadows/Globe Photos, Nina Prommer/Globe Photos, Michael O'Neill, from the Neal Peters Collection, by Chris Weeks/Getty Images.